Season 3, Episode 03 – “Cult Movies”
Mark Kermode invites you on an entertaining journey into the weird and wonderful world of cult movies, filled with some of the strangest, most truly original and unexpected moments in cinema.

Links: HOMEPAGE – TV.com

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Season 3, Episode 02 – “Pop Music Movies”
Rebellion, romance, anarchy, excitement. Mark shows how the fusion of pop music and movies are a double act like no other.

Links: HOMEPAGE – TV.com

Mark.Kermodes.Secrets.Of.Cinema.S03E02.WEB.H264-WEBTUBE
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Season 3, Episode 01 –
In a revealing look at one of the defining genres of British cinema, Mark argues that comedy films win laughs by tapping into our abiding national preoccupations. We love to root for the underdog or ‘little man’, a key figure who appears in countless guises. We delight in seeing class and manners satirised and subverted. We’re fascinated by films that mix comedy and crime. We enjoy home-grown pastiches and parodies that take the big beasts of Hollywood down a peg. And then there’s the infamous phenomenon of the British sex comedy…

Links: HOMEPAGE – TV.com

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Season 2, Episode 03 –
‘History,’ says Mark Kermode, ‘is the quintessential British film genre.’ America may have its great outdoors for road movies and westerns, and teeming cities for cop and crime sagas. But there is more than enough in two millennia of British history to provide a bottomless well of story material.

Links: HOMEPAGE – TV.com

Mark.Kermodes.Secrets.Of.Cinema.S02E03.WEB.H264-iPlayerTV
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Season 2, Episode 02 –
History,’ says Mark Kermode, ‘is the quintessential British film genre.’ America may have its great outdoors for road movies and westerns, and teeming cities for cop and crime sagas. But there is more than enough in two millennia of British history to provide a bottomless well of story material.

Links: HOMEPAGE – TV.com

Mark.Kermodes.Secrets.Of.Cinema.S02E02.WEB.H264-iPlayerTV
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From flying saviour figures in primary-coloured costumes to brooding nocturnal vigilantes, the superhero movie has spawned many record-breaking global hits. It has also provoked a backlash from some leading film-makers, yet superheroes have had a relationship with cinema that stretches back to the first half of the 20th century, and the genre taps deeply into timeless themes and storytelling traditions

Links: HOMEPAGE – TV.com

Mark.Kermodes.Secrets.Of.Cinema.S02E01.WEB.H264-iPlayerTV
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Season 1, Episode 5 – “Horror"
Mark Kermode continues his fresh and very personal look at the art of cinema by examining the techniques and conventions behind classic film genres, uncovering the ingredients that keep audiences coming back for more. Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.

Links: HOMEPAGE – TVDB

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Season 1, Episode 4 – “Science Fiction"
Mark Kermode continues his fresh and very personal look at the art of cinema by examining the techniques and conventions behind classic film genres, uncovering the ingredients that keep audiences coming back for more. This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

Links: HOMEPAGE – TVDB

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Season 1, Episode 3 – “Coming of Age"
This time Mark explores the genre that captures the joy and pain of growing up - the coming-of-age movie. It is the most universal of all types, the one we can all relate to from our own experience, yet it can also be the most autobiographical and personal. Film-makers across the world repeatedly return to core themes such as first love, breaking away from small-town life and grown-ups who don't understand. And wherever and whenever they are set, these stories are vividly brought to life using techniques such as casting non-professional actors, camerawork that captures a child's-eye view and nostalgic pop soundtracks. From Rebel without a Cause to Lady Bird by way of Kes, Boyz n the Hood and This Is England, Mark shows how recurring sequences like the makeover and the group singalong, and characters like the gang and mentor figure, have helped create some of the most moving and resonant films in the cinema.

Links: HOMEPAGE – TVDB

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Season 1, Episode 2 - "The Heist"
Whether it is the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the heist movie plays with our sympathies, encouraging us to identify with characters we would run a mile from in real life.

Links: HOMEPAGE – TVDB

Mark.Kermodes.Secrets.of.Cinema.S01E02.WEBRip.x264-NOZ
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